What we have in this image is one of my favorite pieces from the Greek antiquities collection of the Louvre. This goddess “bell statue” comes to us from Thebes c. 700 BCE, and it’s a stunning example of the Geometric period of Greek art. The sense of the goddess as all-encompassing is conveyed by her bell-shape and is amplified by the inscription on her surface of various marks typically expressive of the round of life and death in that age, such as the Swastika.
In unrelated news, sounds like I’m late to hear this, but I’m excited that The Diary of Malcolm X: 1964 is due to be published this week, assuming it isn’t successfully blocked by some family members. I certainly hope it appears in print as-scheduled – 1964 is the year Malcolm X undertook the Hajj, which was a milestone in his own life, and for the course of civil rights activism in the United States as a whole. I also very much see Malcolm X’s spiritual journey as textbook case of Jungian individuation, so it’s fascinating to study in that light as well.
Let’s see … what else? I’ve been working on a mammoth post on the Gothic cathedrals for some time, but have been bogged down by the magnitude of the topic. Even to point in a cursory way to a handful of the key features is an enormous job, but I hope to get it up soon.
Via the always-excellent Medievalists.net, I give you Catṡlechta and other medieval legal material relating to cats, a study of medieval Irish laws pertaining to cats. It contains gems such as:
BREONE i.e. This is a cat and she has purring and protecting (or an inarticulate cry) and three cows are paid for it if it has both, purring and protecting. If it has one of the two, it is a cow and a heifer or there might not be anything for purring at all and that obtains whenever it is more than or equal to that which it protects.
Read, and enjoy.