Pauline Kael on Violence in Film
“It’s the emotionlessness of so many violent movies that I’m becoming anxious about, not the rare violent movies (Bonnie and Clyde, The Godfather, Mean Streets) that make us care about the characters and what happens to them. A violent movie that intensifies our experience of violence is very different from a movie in which acts of violence are perfunctory. I’m only guessing, and maybe this emotionlessness means little, but, if I can trust my instincts at all, there’s something deeply wrong about anyone’s taking for granted the dissociation that this carnage without emotion represents. Sitting in the theater, you feel you’re being drawn into a spreading nervous breakdown. It’s as if pain and pleasure, belief and disbelief had got all smudged together, and the movies had become some schizzy form of put-on.” – from “Killing Time,” a review of Clint Eastwood’s Magnum Force; The New Yorker, January 14, 1974
For years I struggled to understand what anyone saw in Pauline Kael, who alienated me early on with withering reviews of Stanley Kubrick. But the more I read of her, the more her reviews make me want to read, and to write, and to think.